Guest: Claire Shaw on Deaf in the USSR: Marginality, Community, and Soviet Identity, 1917-1991.
Tarik Cyril Amar is an Associate Professor of History at Columbia University specializing in the Soviet Union, Russia, and Ukraine. He’s the author of The Paradox of Ukrainian Lviv. A Borderland City between Nazis, Stalinists, and Nationalists.
Danger Doom, “Space Ho’s,” The Mouse and the Mask, 2005.
Eileen Kane is an Associate Professor of History at Connecticut College where she specializes in empires, migrations, religion and historical connections between the Russian and Ottoman empires. She’s the author of Russian Hajj: Empire and the Pilgrimage to Mecca.
The Roots, “Adrenaline!” Things Fall Apart, 1999.
Svetlana Stephenson is a Reader in Sociology at London Metropolitan University. Her research has involved studying informal and criminal social networks in Russia as well as perceptions of social justice and human rights in a comparative context. She is the author of Gangs of Russia, From the Streets to the Corridors of Power published by Cornell University Press in 2015.
N.W.A, “Straight Outta Compton,” Straight Outta Compton, 1988 (clean version, unfortunately).
Kiril Tomoff is a professor of history at the University of California Riverside where he specializes in the history of Soviet music and its place in Soviet culture and society. His first book Creative Union: The Professional Organization of Soviet Composers, 1939-1953 provides the first ever in-depth analysis of the professional organization of Soviet composers during the Stalin period. His new book is Virtuosi Abroad: Soviet Music and Imperial Competition During the Early Cold War, 1945-1958.
David Oistrakh, Dvorak Violin Concerto with Kirill Kondrashin and the USSR State Symphony Orchestra, 1949.
David Oistrakh, Tchaikovsky Violin Concerto with Eugene Ormandy’s Philadelphia Orchestra in 1959.
Gidon Kremer, Mendelssohn Violin Concerto and Strings in D minor with Yuri Bashmet and the Moscow Philharmonic in 1976.
Sviatoslav Richter, Rachmaninov Piano Concerto No.1 in F sharp minor, Op.1, 1955.