The Stalin vs. Hitler comic. Nuff’ said.
Link provided by our ever loving Roman, Chrisius Maximus.
You Might also like
By Sean — 11 years ago
I’m currently reading Alexei Yurchak’s fascinating book, Everything Was Forever, Until It Was No More: The Last Soviet Generation. Yurchak asks why did the Soviet system’s implosion “seemed so unexpected when it began, and at the same time so unsurprising and fast once it had occurred.” The contains numerous examples of the contradictory nature of Soviet life, where as citizens participated in the ritualized, pro forma ideological discourse, this very discourse allowed them to carve out what they called “normal meaningful life” that went beyond the state’s ideology.
Anyway, I hope to discuss Yurchak’s book in more detail once I finish reading it. What I want to present here is this interesting Komsomol document pictured on the left. The document has been floating around the internet for a while now. Yurchak states that it was published in Novaya gazeta in July 2003, but I didn’t find it in their archive.
Here is a translation:
Workers of the World Unite!
ALL-UNION LENIN COMMUNIST YOUTH LEAGUE NIKOLAEV REGIONAL COMMITTEE OF KOMSOMOL OF UKRAINE.
For internal use only.
To Secretaries of Gorkoms and Raikoms of the Komsomol of Ukraine.
The following is an approximate list of foreign music groups and artists whose repertoires contain ideologically harmful compositions.
This information is recommended for the purpose of intensifying control over the activities of discotheques.
This information must be also provided to all VIA (vocal instrument ensembles) and youth discotheques in the region.
Secretary of the Obkom Komsomol, P. Grishin.
Approximate list of foreign music groups and artists whose repertoires contain ideologically harmful compositions.
Type of Propaganda
1. Sex Pistols
Neofascism, punk, violence
Violence, cult of strong personality, violence, vandalism
9. Iron Maiden
Violence, religious obscurantism
10. Judas Priest
13. Black Sabbath
Violence, religious obscurantism
24. Donna Summer
25. Tina Turner
14. Alice Cooper
26. Junior English (reggae)
Violence, religious mysticism
27. Canned Heat
28. Munich Machine
17. Gengis Khan
30. Van Halen
31. Julio Iglesias
19. Pink Floyd (1983)
Distortion of Soviet foreign policy (‘Soviet aggression in Afghanistan)
33. Depeche Mode
34. Village People
35. Ten CC (10 cc)
20. Talking Heads
Myth of Soviet military threat
Head of the General Department of the Obkom of Komsomol E. Priazhinskaia
10 January 1985
This document is interesting for a number of reasons. First, it shows that Soviet youth were quite in tune to global youth culture. Soviet youth listened to the same metal and punk groups that were popular in the United States and Western Europe. Second, Komsomol moralists and ideologues had similar concerns of their Western counterparts. They were also afraid that rock, punk and metal spread violence, deviance, and sex among its listeners. Still, this list expresses concerns about ideology, specifically what the author’s labels “anticommunism” and “neofascism.” I am not sure what the latter means, but I can guess that it is a synonym for bourgeois ideology.
There are some funny miscategorizations in this list. For example, the Village People are denounced for “violence.” I have no idea where they got that idea. If anything they should have gotten the “homosexuality” label. Also Depeche Mode getting the “violence” label is equally laughable.
I suspect that while the documents shows that Soviet youth were quite hip to global youth culture, Komsomol leaders were not or at least played like they were. My guess this is a generational issue since the age between the Komsomol rank and file and their leaders grew in the postwar period. You could easily have a Komsomol Obkom secretary in his or her thirties, while the rank and file in the teens and twenties.
At any rate, I wanted to offer this document and its translation to readers so they could get a taste of the Soviet past.Post Views: 137
By Sean — 11 years ago
Nashi has officially hit the American mainstream. On Sunday the NY Times published an expose of the youth organization. Unfortunately, the article doesn’t say anything that hasn’t already been said before. In fact it is clear that the media has nothing new to add to what Nashi is except for repeating the fact that it is a Kremlin tool. I would figure that this is quite obvious. I’m more interested in how the organization actually functions on the ground. That said, I think the best statement was from Yabloko youth leader, Ilya Yashin. He told the Times,
“The authorities may face serious problems because all the young people whom they teach today, in whom they invest, whom they teach to organize mass actions, may find themselves in the real opposition when they see that their interests are violated. Today they are loyal, but tomorrow they may become the opposition. And this may not be the young Red Guard’s Cultural Revolution, like in China, but something much more serious.”
I think he is right on. Such is the dilemma of arousing and then having the audacity to think you can actually control populism.
But what really struck me is how the article opened. It reads:
Yulia Kuliyeva, only 19 and already a commissar, sat at a desk and quizzed each young person who sat opposite her, testing for ideological fitness to participate in summer camp.
“Tell me, what achievements of Putin’s policy can you name?” she asked, referring to Russia’s president since 2000, Vladimir V. Putin.
“Well, it’s the stabilization in the economy,” the girl answered. “Pensions were raised.”
“And what’s in Chechnya?” Ms. Kuliyeva asked, probing her knowledge of a separatist conflict that has killed tens of thousands and, although largely won by Russia’s federal forces and Chechen loyalists, continues.
“In Chechnya, it’s that it is considered a part of Russia,” the girl responded.
“Is this war still going on there?”
“No, everything is quiet.”
Ms. Kuliyeva is a leader in the Ideological Department of Nashi, the largest of a handful of youth movements created by Mr. Putin’s Kremlin to fight for the hearts and minds of Russia’s young people in schools, on the airwaves and, if necessary, on the streets.
I sure wish the Times would have questioned this obvious charade. I doubt your average Nashi member has such ideological prowess. In fact, Kuliyeva’s question and answer session reminded me of a document I found in the Komsomol archive. Such ideological questioning was common in Komsomol admissions and expulsion trials. Mine comes from an expulsion trial. I believe it is probably more indicative of not only your average Komsomol member at the time but also even symbolic of your average Nashi member’s ideological awareness.
The document dates from 1926. On trial was one Klishin, born in 1904, an unemployed peasant, and joined the Komsomol in 1923. Klishin was also charged with neglecting his studies, playing ill to get out of them, and for “rowdiness and drunkenness.” Here is what the Moscow Raikom expulsion commission asked Klishin to determine his guilt:
Were you drunk in the washroom?
What kind of work did you do in the Komsomol since 1923?
I was a member of the cell bureau.
What did you do as a bureau member and what was your responsibilities?
They didn’t give me any responsibilities.
What else did you do?
I did literary work, gave reports on Komsomol activism.
How do you express your Komsomol activism?
I encourage worker youth to join the League.
When was the 14th Party Congress?
I don’t know.
Which Party Congress was in 1925?
What is KIM (Communist Youth International)?
Dictatorship of Komsomol.
What newspapers do you read?
I read but I haven’t for a month.
Who is Stalin?
I don’t know.
The last one was the ringer. To say the least, Klishin was expelled from the Komsomol. I wonder is Nashi has its own expulsion process to deal with their riffraff.Post Views: 52
By Sean — 9 months ago